I am fascinated by how writers are molded by
landscape. I grew up in Swansea in South Wales; the same town [now a
city] as Dylan Thomas. His poetry and stories are full of the middle-class
Welsh landscape which shaped him.
I lived in contrasting landscapes; the working
class slag-heaps of my Grandparent’s area and the middle-class seascape of
mine. While I was fortunate to live in a lovely house over-looking the sea, my
Grandmother lived most of her life in a tiny terraced house with my Grandfather
and 8 children in a poor area of Swansea.
Near her tiny house were the awful slag heaps of
a past mining community. The area was haunted by a generation of men who toiled
like moles in the Welsh mines and who lived in permanent darkness during the
winter. Reading about the harshness of miners' family lives made me
appreciate how lucky I was.
The changing landscape of industrialized South
Wales led me to write a poem about a lost boy in the early 20th century who was
forced into the mines by poverty. I hope you are moved by it.
The Black Mountain
Not a sound to be heard except Mam,
moving round our candled
kitchen,
cutting me door-steps of bread
as she had for my Da.
I put on his clothes:
his cloth-cap and worn jacket,
singlet, flannel shirt and moleskin
trousers to protect the knees.
They outgrew me by many years
but Mam didn’t laugh or even smile
as she passed me Da’s tin box silently.
My first night underground
it was to be and my heart was heavy
with leaving my Mam and my books.
I joined the stream of men as they hobnailed
up the street towards the black mountain,
13 – a late starter – terrified of the dark
and the avarice in the eyes of rats.
My Mam stood still in the candle-light.
My sisters slept... dreaming of dolls.
[Published in The New Writer. 1997]
Think how differently Emily Bronte’s book “Wuthering
Heights” would be is she had grown up in the softer landscape of S.E. England
and not in Haworth, overlooking the wild Yorkshire moors. If she had,
I don't think Heathcliff would have existed.
I wrote this poem after visiting Haworth and the wind-swept Moors. I imagined her walking there, drinking in the wild landscape around her.
Emily
She cannot think of anything more beautiful:
the Pennine Chain cutting clean through England,
and Haworth standing firm; an outlying spur:
wild and windy. Flanked by the River Worth.
That morning she crosses the bridge and climbs
the narrow cobbled streets lined with small houses;
needing to walk away from prayers and gravestones;
the sound of people; the prison of Parsonage walls.
Behind the Parsonage, through the fields - the Moors;
purple in summer sun and scoured by winds
which breathe a wilderness of furze and whinstone
into life, yet cannot move a browsing sheep.
Atlantic-driven clouds now sweep her clean
to hear the becks tumble words down rocks;
to touch their leaping thread; to feel the winds
inflect her lungs with mill-stone gritted breath.
[The 'becks' are water.]
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